UltKit

Audio Converter

Change any recording, song or voice memo into the format your player, editor or upload form wants. Choose a lossy format such as MP3 for small files that play everywhere, or a lossless one such as WAV or FLAC when the audio is going into an editor or an archive.

Audio Converter

or drop MP3, WAV, M4A … files here ·

Max 95 MB per file· Up to 20 files· Deleted after 30 minutes

Output

Files are processed on our servers and deleted after 30 minutes.

How to use this tool

  1. 1

    Add the audio files

    Drop up to 20 files, each up to 95 MB: MP3, WAV, M4A, AAC, FLAC, OGG, Opus, AIFF, WMA, AMR, M4B, CAF, WebM audio, MIDI and more.

  2. 2

    Choose format and bitrate

    Pick the target under Convert to. Lossy formats show a Bitrate, 192 kbps by default. Sample rate, Channels, trimming and volume are under Advanced settings.

  3. 3

    Convert and download

    Press Convert to MP3 (the label follows your format) and download each file or the whole batch as a ZIP.

Answer

How do I convert an audio file to another format?

Upload the file, pick the format under Convert to and press the convert button. MP3 at 192 kbps is the default and sounds the same as the source for most listeners. Batches of 20 files work in one go.

Audio formats you can convert to

Lossy

  • MP3, 64–320 kbps: music, podcasts, car stereos, upload forms
  • M4A / AAC: Apple devices, iTunes, YouTube and streaming audio
  • Opus / OGG: web apps, games, voice chat; Opus is efficient at low bitrates
  • WMA: older Windows Media players

Uncompressed and lossless

  • WAV / AIFF: uncompressed, for editing, DAWs, CD audio and broadcast delivery
  • FLAC / ALAC: lossless compressed, for archiving music at full quality in less space

Special purpose

  • AMR: lossy speech codec for basic phones and telephony
  • M4R: AAC audio for iPhone ringtones under 40 seconds
  • MIDI: notes, not sound, for notation software or a synthesizer

The main choice is between lossy and lossless. Lossy codecs such as MP3, AAC and Opus remove sounds that human hearing is unlikely to notice, which is how a song shrinks from about 10 MB per minute as CD-quality WAV (44.1 kHz, 16-bit stereo, 1,411 kbps) to under 1.5 MB per minute as 192 kbps MP3. Lossless formats keep every sample: WAV and AIFF store them raw, while FLAC and ALAC compress them without loss, usually to around half to two-thirds of the WAV size.

MP3, standardized as part of MPEG-1 in 1993, is still the safest target because nothing refuses it, and its patents expired in 2017. Opus, published by the IETF as RFC 6716 in 2012, sounds better than MP3 at low bitrates and is the codec behind most browser voice and video calls. The most common real-world routes, such as M4A to MP3 for iPhone voice memos, WAV to MP3 for recordings that are too big to send and FLAC to MP3 for car stereos, have their own pages below.

One rule saves a lot of disappointment: converting never adds quality. Going from a lossy file to a lossless one only makes it larger, and going from one lossy format to another loses a little more each time. Keep the best original you have and convert copies from it.

Choosing a bitrate for MP3, M4A and other lossy formats

  1. 64 kbps

    Voice memos and spoken word in mono

  2. 128 kbps

    Speech, audiobooks, podcasts

  3. 192 kbps

    Default; music that sounds like the source

  4. 320 kbps

    The MP3 maximum, for critical listening

Sample rate, channels, trimming and tags

Bitrate mode
Bitrate mode chooses constant (CBR) or variable (VBR) for MP3, M4A, AAC, OGG and Opus. VBR is usually smaller at the same quality.
Sample rate
Sample rate keeps the source rate by default. 44.1 kHz is the CD standard, 48 kHz the video standard, 16 and 8 kHz are for speech and phone systems; 96 kHz is available for studio work.
Channels and bit depth
Channels keeps the source, or forces stereo or mono; mono halves lossless files and suits voice. Bit depth for WAV, FLAC, AIFF and ALAC is 16-bit (CD), 24-bit or 32-bit float.
Start and end
Start at and End at accept seconds (75) or minutes:seconds (1:15) to keep only part of the file while converting.
Normalise volume
Normalise volume brings loudness to −16 LUFS so files in one playlist play at a similar level.
Tags and cover art
Keep tags and cover art copies title, artist, album and the embedded cover where the new format supports them.

Audio conversion myths and what actually happens

MythConverting to another format always makes the file smaller.

FactA lossless target, or a higher bitrate than the source, makes it bigger. Pick MP3 or M4A at the source's bitrate or lower; for an exact size use compress audio.

MythAny converter can turn an Apple Music or Spotify download into MP3.

FactStreaming downloads are protected with DRM and cannot be read by any converter. Only DRM-free files, such as your own recordings or purchases sold without protection, convert.

MythA lower Sample rate only saves space.

Fact22.05, 16 and 8 kHz cut high frequencies, so music sounds dull or muffled. Those rates are meant for speech; keep Same as source or 44.1 kHz for music.

MythAny M4R file shows up as an iPhone ringtone.

FactIt has to be shorter than 40 seconds and imported through Finder or iTunes. Shorten it with End at and import it again.

Audio converter questions

What is the best audio format to convert to?

For listening and sharing, MP3: every phone, car, browser and upload form plays it. For editing or keeping a master copy, WAV or FLAC, which keep every sample. For the smallest file at a given quality, Opus or M4A. When a device or service names a format, use that one.

Does converting MP3 to WAV or FLAC improve quality?

No. A lossless container stores exactly what it receives, so an MP3 converted to WAV sounds like the MP3 and only takes more space. Convert to WAV when an editor or a sampler needs uncompressed audio, not to restore detail that lossy compression already removed.

Is variable bitrate better than constant bitrate?

VBR spends more bits on complex passages and fewer on quiet ones, so it usually gives a smaller file at the same quality. CBR gives a predictable size and the widest compatibility with old players and some broadcast systems. Bitrate mode is CBR by default for that reason.

How do I make an iPhone ringtone from a song?

Choose M4R under Convert to, then set Start at and End at under Advanced settings to a section under 40 seconds. Import the .m4r through Finder or iTunes on a computer, or use the MP3 to M4R page, which is set up for ringtones.

What does converting audio to MIDI do?

MIDI does not store sound; it stores notes, timing and velocity. Choosing MIDI transcribes the melody of a recording into notes you can open in a notation program or a DAW. It works best on a single clear instrument or voice; full mixes give messy results. See audio to MIDI converter for tips.

Will my song titles and album art survive the conversion?

Yes while Keep tags and cover art is on, which is the default. Title, artist, album and the embedded cover are copied wherever the target format supports them. WAV has only basic tag support, so some players will not show cover art for WAV files.

Why do my converted songs play at different volumes?

They were mastered at different loudness. Turn on Normalise volume to bring each file to −16 LUFS, the loudness level Apple recommends for podcasts, so tracks in a playlist sit at a similar level.

All Audio Converter tools

Pick the exact target you were asked for. Every page below is the same tool with different defaults.