AIF to WAV Converter
An .aif file and a .wav file usually hold the same plain PCM samples. Only the wrapper and the byte order differ, and that is enough for some Windows software, broadcast systems and hardware players to refuse the Mac file.
Audio Converter
or drop MP3, WAV, M4A … files here ·
Max 95 MB per file· Up to 20 files· Deleted after 30 minutes
Files are processed on our servers and deleted after 30 minutes.
Constant bitrate (CBR) gives a predictable size and works on every player. Variable bitrate (VBR) spends bits where the music needs them and is usually smaller at the same quality.
Keep the source rate unless a device asks for one. 44.1 kHz is CD standard, 48 kHz is video standard, 8 kHz is used by phone systems and AMR.
Mono halves the size of lossless files and is fine for voice recordings.
16-bit is CD quality. 24-bit keeps headroom for editing and mastering; converting a 16-bit source up does not add detail.
Optional. Seconds (e.g. 75) or minutes:seconds (1:15). Leave empty to start at the beginning.
Optional. Same format as the start time. Leave empty to keep everything up to the end.
How to use this tool
- 1
Add the .aif or .aiff files
Drop up to 20 files, each up to 95 MB. Bounces from Logic Pro, GarageBand exports and sample packs made on a Mac all work, as do compressed .aifc files.
- 2
Check the bit depth
Bit depth is preset to 24-bit so studio bounces stay intact. Switch to 16-bit only when the source is a CD rip or the destination asks for CD-quality WAV.
- 3
Convert to WAV
Press Convert to WAV. Sample rate and channels match the original unless you change them, and the files are deleted from the server after 30 minutes.
How do I turn an AIF into a WAV without losing quality?
Upload the .aif file and press Convert to WAV with Bit depth at 24-bit, or 16-bit for a CD rip. Both are uncompressed PCM, so the result is sample-for-sample identical.
AIF and WAV: same sound, different byte order
Apple published the Audio Interchange File Format in 1988, building on the IFF container that Electronic Arts had introduced three years earlier for the Amiga. Microsoft and IBM followed with WAV in 1991, built on their own RIFF container. Both wrap raw PCM audio, but they were designed for different processors: AIFF writes each sample big-endian, the way the Motorola 68000 in early Macs stored numbers, while WAV writes little-endian, the way Intel chips do.
That is why a converter can move between them without touching the sound. It flips the byte order of each sample and swaps the header chunks; nothing is re-encoded. The .aif extension itself is just the three-letter version of .aiff, a leftover from systems that limited extensions to three characters.
- AIFF-CAIFC · compressed AIFF
- The 1991 extension of AIFF that allows compressed audio inside the same structure. Files ending in .aifc may hold ordinary PCM, little-endian PCM (the
sowttype macOS uses) or a lossy codec such as IMA ADPCM; the converter decodes whichever it finds to plain PCM WAV.
AIF to WAV converter: where each file works
| WAV from this page | Original AIF | AIFF-C (.aifc) | |
|---|---|---|---|
| Uncompressed PCM samples | yes | yes | Sometimes |
| Byte order | Little-endian | Big-endian | Either |
| Basis for Broadcast WAV (EBU BWF) | yes | no | no |
| Standard ID3 tag chunk | Rarely read | yes | Varies |
| Expected by Windows-first audio tools | yes | Often | Seldom |
The European Broadcasting Union based its Broadcast Wave Format on WAV in 1997, which is why radio playout systems, field recorders and post-production houses ask for WAV deliveries. Game engines, Windows sound tools and hardware samplers also tend to list WAV first. Sending a Logic bounce to any of these is the usual reason to convert.
Tags are the main thing that does not translate well. Apple's Music app writes titles and artwork into AIFF files, but most players ignore metadata inside WAV, so Keep tags and cover art copies what it can and the rest is best kept in file names. If the WAV is only a stop on the way to a smaller file, AIFF to MP3 skips the intermediate step.
AIF and WAV format facts
AIFF
Audio Interchange File Format
AIFF is an uncompressed audio format developed by Apple in 1988, based on Electronic Arts' IFF. It stores PCM audio at the same quality as WAV and supports richer metadata, which makes it common in Mac music production and Logic Pro. Files are large, about 10 MB per minute of CD-quality stereo. Most editors and players read AIFF, though some web tools and Android apps do not.
- Compression
- Lossless
- Transparency
- –
- Animation
- –
- Introduced
- 1988 · Apple
WAV
Waveform Audio File
WAV is an audio container created by Microsoft and IBM in 1991, usually holding uncompressed PCM audio. It preserves full quality, which makes it standard for recording, editing, sound effects and mastering. A minute of CD-quality stereo takes about 10 MB, so files are large. Every operating system, editor and most players open WAV, though metadata support is limited.
- Compression
- Lossless
- Transparency
- –
- Animation
- –
- Introduced
- 1991 · Microsoft and IBM
AIF files come out of Mac studios, GarageBand projects and Apple CD rips, but Windows-centric editors, broadcast playout and some hardware players are built around WAV, so the same PCM samples are rewrapped little-endian in a RIFF header that every platform reads.
AIF to WAV: answers before you convert
Is converting AIF to WAV lossless?
Yes, as long as the bit depth matches the source. Both formats store uncompressed PCM, so the converter only reorders the bytes and rewrites the header; every sample value is the same. Choosing 16-bit for a 24-bit bounce is the one setting that throws information away.
How do I know whether my AIF file is 16-bit or 24-bit?
On a Mac, select the file in Finder and press Command-I; the More Info section lists the sample size. Logic Pro and GarageBand on recent versions record at 24-bit, while AIFF tracks ripped from a CD with the Music app are 16-bit, 44.1 kHz.
Will the WAV be the same size as the AIF?
Almost exactly, because both carry the same uncompressed samples: about 10 MB per minute for 16-bit 44.1 kHz stereo and about 15 MB for 24-bit. A compressed .aifc source is the exception, since its WAV comes out larger once it is decoded to PCM.
Can a WAV file be as long as an AIF?
Up to a point. A standard WAV header stores its size in 32 bits, so a file tops out at 4 GB, roughly 6 hours 45 minutes of 16-bit 44.1 kHz stereo. Uploads here are capped at 95 MB per file, far below that, so the limit only matters for long multitrack recordings.
What happens to markers and loop points saved in the AIF?
AIFF stores markers and instrument loop data in its own chunks, which WAV structures differently, so do not rely on them carrying over. Re-create loop points in your sampler or DAW after importing the WAV, or keep the AIF alongside it for that purpose.
Should I make a FLAC instead of a WAV?
If the goal is storage rather than compatibility, yes: FLAC keeps the same samples in roughly half the space and tags them properly. For a Windows editor, a broadcaster or a CD tool that wants plain PCM, WAV is the safer target; see WAV to FLAC for the archive route.
- AIFF to MP3 ConverterTurn AIFF and AIF files from GarageBand, Logic or iTunes rips into MP3 small enough to email or upload. Tags and cover art kept, up to 20 files at once.
- MP3 to AIFF ConverterConvert MP3 to AIFF for hardware samplers, Logic Pro, GarageBand and DJ libraries. Uncompressed 16- or 24-bit PCM with ID3 tags and artwork kept.
- FLAC to WAV ConverterUnpack FLAC into plain WAV for DAWs, CD burning and DJ players that skip FLAC. Same samples, 16- or 24-bit, up to 20 files, no account needed.
- M4A to WAV ConverterConvert M4A to uncompressed WAV for Audacity, Pro Tools, video editors and phone systems. Pick 16, 24 or 32-bit and the sample rate. Free, online.
- WAV to FLAC ConverterShrink WAV recordings and CD rips into FLAC without changing a single sample. Tags and cover art supported, 24-bit kept, up to 20 files, no account.
- MP3 to WAV ConverterDecode MP3 to uncompressed 16-bit WAV for audio CDs, samplers, DAWs and broadcast tools. Choose 44.1 or 48 kHz, up to 20 files, no account needed.